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EXCERPTS FROM: OPERATION BUTTERFLY WINGS

[[ANNOTATION]], COLOR, PICTURES ADDED

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Wednesday, August 31, 2011

Operation Butterfly Wings


The field of mathematics known as “chaos theory” holds that seemingly insignificant actions can, under the right conditions, produce incredibly large results. The example most commonly used is that of a butterfly which flaps its wings and sets in motion a chain of events culminating in a hurricane a thousand miles away. Obviously, we can never know if a butterfly’s wings created a huge storm, but the basic idea – that unnoticed incidents can trigger gargantuan responses – is not only believable but, according to chaos theorists, mathematically certain.

So what does this have to do with Asatru?

[[snip]]

 

Thor's Hammer Pendant from http://consciouschaos.com/

Suppose, one day, you decide to wear your Thor’s hammer on the outside of your shirt rather than tucked out of sight. You’re walking down the street when a woman sees your hammer, asks you about it, and is given the address of the Asatru Folk Assembly website. A month later, she gives that URL to a friend who visits our site. This friend in turn mentions it to a multi-millionaire, who is so impressed that he leaves his entire estate to the AFA. Within five years, Asatru has a million adherents from coast to coast and is making significant, long-term changes in the culture of the United States….all because you decided on a whim to wear your hammer where it could be seen by passers-by. You’d never know what you had done, any more than we can blame a butterfly for starting a hurricane, but nevertheless you are ultimately responsible.

Suffice to say that Wyrd’s web is tightly woven.

We cannot predict which of our tiny, daily deeds will bear fruit next week or next century. But we can increase the odds by doing many such deeds, any one of which might make a difference in the long run. [[Snip]]

[[snip]]
I hereby invite you to join in Operation Butterfly. I know many of you are already making these little efforts – but if we do it more deliberately, more often, we can have a greater impact. Who knows what a few hundred of us can do if we try? Get out there and stir that pot of chaos! Vibrate the Web of Wyrd! Flap the wings of your Will and let the storm arise!

Steve McNallen

Asatru Folk Assembly
http://runestone.org

LOCATION PRODUCTION ASSISTANT daily / ASSISTANT DIRECTOR daily /LOCATIONS SUPPORT PERSONAL “COVERT AFFAIRS” TV Series; 1ST ASSISTANT DIRECTOR Steve Webb; LOCATION MANAGER Karen Perez; ASSISTANT LOCATION MANGER Matt Graver; Toronto, Summer/Fall 2011.

COVERT AFFAIRS

FULL RESUME

(Tiwaz) Andreas Schneider

Schneider

know as SCHNEIDER

Toronto, Ontario, Canada, M5T 1S6

TiwazSchneider@gmail.com

http://www.tiwaz.com/

647-292-9907

CERTIFIED LIFE SKILL COACH,

specializing in Art Therapy through Filmmaking, Social Media, Meditation, etc

FILMMAKER

Set Decorator (Non-Member) with I.A.T.S.E. Local 873

3rd Assistant Director (Full Member) with Director’s Guild of Canada (DGC)

Location Production Assistant with DGC

LICENSE/ TICKET / PERMIT

Propane/Gas forklift truck

Propane – “Connection & Use of Construction Heaters < 400 BTUH (Canadian Propane Association)

 

WORK HISTORY

CURRENT: working doing dailies as Set Decorator (Non-Member) with I.A.T.S.E. Local 873, including Covert Affairs, Suits, Beauty & the Beast,  Warehouse 13, Hemlock Grove, Mortal Instruments, Robocop.  ALSO work in Locations mainly on Covert Affairs.

The Barrens

LOCATION PRODUCTION ASSISTANT key “BARRENS” THEATRICAL; PRODUCER Richard Saperstein; PRODUCER/ UPM John Eckert;  DIRECTOR/ WRITER Darren Bousman; 1ST ASSISTANT DIRECTOR David Warry-Smith; LOCATION MANAGER Keith Large; ASSISTANT LOCATION MANGER (Officially there was no ALM but I acted as the ALM including responsibility of making the maps); Ontario, Fall 2012.

LOCATION PRODUCTION ASSISTANT daily / ASSISTANT DIRECTOR daily /LOCATIONS SUPPORT PERSONAL “COVERT AFFAIRS” TV Series; 1ST ASSISTANT DIRECTOR Steve Webb; LOCATION MANAGER Karen Perez; ASSISTANT LOCATION MANGER Matt Graver; Toronto, Summer/Fall 2011.

LOCATION PRODUCTION ASSISTANT daily / LOCATIONS SUPPORT PERSONAL “SUNDAYS AT TIFFANY’S” TV Movie staring Alyssa Milano; 1ST ASSISTANT DIRECTOR Chi Fung; LOCATION MANAGER Keith Large; ASSIST LOCATION MANGER Matt Graver; Toronto, Summer 2010.

LOCATION PRODUCTION ASSISTANT daily / LOCATIONS SUPPORT PERSONAL “COVERT AFFAIRS” TV Series; 1ST ASSISTANT DIRECTOR Rico Gerussi; LOCATION MANAGER Karen Perez; ASSIST LOCATION MANGER Matt Graver; Toronto, Summer 2010.

LOCATIONS SUPPORT PERSONAL “THE BRIDGE” TV Series; 1ST ASSISTANT DIRECTOR David Carruthers; LOCATION MANAGER Karen Perez; ASSIST LOCATION MANGER Matt Graver; Toronto, Summer 2009.

ASSISTANT DIRECTOR daily / LOCATION PRODUCTION ASSISTANT daily “BORDER, THE” TV Series; 1ST ASSISTANT DIRECTOR Michael Johnson & Linda Pope; LOCATION MANAGER Arthur Clark & Anne Richardson; ASSIST LOCATION MANGER Brad Alexander & Sandra Mikki; Toronto, Summer 2007.

LOCATION SUPPORT PERSONAL “KIT KITTEREDGE: An All American Girl Mystery” Feature Film; 3rd ASSISTANT DIRECTOR Craig Newman; LOCATION MANAGER Karen Perez; ASSIST LOCATION MANGER Catherine Crawford & Matthew Graver; Toronto, Spring 2007.

LOCATION SUPPORT PERSONAL “DRESDEN FILES” TV Series; LOCATION MANAGER Karen Perez; ASSIST LOCATION MANGER Catherine Crawford ; LOCATION PROD ASST Matthew Graver; Toronto, Winter 2006.

LOCATION SUPPORT PERSONAL “JUMPER” Feature Film; 2ND ASSISTANT DIRECTOR Andrew Robinson; LOCATION MANAGER Keith Large; ASSIST LOCATION MANGER Gregory McMaster & Alexander McNaughton; LOCATION PROD ASST Mary Milovac, John Teixeira, Igor Zambeli, Toronto, 2006

LOCATION SUPPORT PERSONAL daily“KILLSHOT (reshoots)” Feature Film; LOCATION MANAGER Vince Nyuli; Toronto, Winter, 2006

SET DECORATOR “NEAT” HGTV Television Sires – Third Season; ART DIRECTOR Sue Young; Toronto, Fall 2005.

LOCATION SUPPORT PERSONAL “PATH TO 9/11, THE” Mini Series; LOCATION MANAGER Karen Perez; ASSIST LOCATION MANGER Arthur  Clarke; Christopher Dunn,; Matthew Graver,; Toronto, Fall 2005.

LOCATION SUPPORT PERSONAL “SENTINEL, THE” Feature Film; LOCATION MANAGER Keith Large; ASSIST LOCATION MANGER Gregory McMaster, Morten Dorrrell & Randy Morgan; LOCATION PROD SCOUT/ PA Mary Milovac; LOCATION PROD ASST John Teixeira, Igor Zambeli, Toronto, 2005

LOCATION SUPPORT PERSONAL “50 CENTS” Feature Film; LOCATION MANAGER Vince Nyuli; ASSIST LOCATION MANGER Trevor Weber; LOCATION PROD ASST John Shone, Toronto, 2005.

LOCATION SUPPORT PERSONAL “16 BLOCKS” Feature Film; LOCATION MANAGER Will Hoddinott; ASSIST LOCATION MANGER Mark McFadden; Toronto, Summer 2005.

LOCATION SUPPORT PERSONAL “CINDERELLA MAN” Feature Film; 2ND ASSISTANT DIRECTOR Andrew Robinson; LOCATION MANAGER Keith Large; ASSIST LOCATION MANGER Alexander McNaughton, Peter Bird, Gregory McMaster; LOCATION PROD ASST Matthew Graver, Toronto, 2003

…………………………………………

3RD ASSISTANT DIRECTOR daily“RELIC HUNTER” TV Series; CAST Tia Carrere, Christien Anholt; DIRECTOR Don McCutcheon; PRODUCTION MANAGER Derek Rappaport; 1ST ASSISTANT DIRECTOR Roman Buchok; 2ND ASSISTANT DIRECTOR Karen McGarroch; Toronto, December 1999.

SET PRODUCTION ASSISTANT daily“ONE MORE WHITE CHRISTMAS”Movie; CAST E. Moore, G. McRainey; DIRECTOR Bobby Roth; PRODUCTION MANAGER Bill Marks; 1ST ASSISTANT DIRECTOR Libby Hodgson; 2ND ASSISTANT DIRECTOR Miguel Gallego; Toronto, October 1999.

3RD ASSISTANT DIRECTOR daily“THE CITY” TV Series; CAST Torri Higginson, John Ralston; DIRECTOR Peter Wellington; PRODUCTION MANAGER David Till; 1ST ASSISTANT DIRECTOR Megan Banning; 2ND ASSISTANT DIRECTOR Ken Smith Set; Toronto,  September 1999.

SET PRODUCTION ASSISTANT daily“THE PIANO MAN’S DAUGHTER”TV Movie; CAST Marnie McPhail; DIRECTOR Kevin Sullivan; LINE PRODUCER: Elizabeth Young; 1ST ASSISTANT DIRECTOR Dale MacLean; 2ND ASSISTANT DIRECTOR Marcia Douglas; TORONTO 1999.

3RD ASSISTANT DIRECTOR daily“COLOR OF FRIENDSHIP”TV Movie; CAST Carl Lumbly, Penny Johnson; DIRECTOR Kevin Hooks; PRODUCTION MANAGER Lynn Mally; 1ST ASSISTANT DIRECTOR Rocco Gismondi; 2ND ASSISTANT DIRECTOR Aline Robichaud; Toronto,  September 1999.

3RD ASSISTANT DIRECTOR prep“CHEATERS”TV Movie; DIRECTOR John Stockwell; PRODUCTION MANAGER Marc Dassas; 1ST ASSISTANT DIRECTOR Drew Rosenberg; 2ND ASSISTANT DIRECTOR Susan Fiore; 3RD ASSISTANT DIRECTOR Lorraine Kearsey TRAILER T.A.D. Stacey Jenkins;Toronto,  September 1999.

3RD ASSISTANT DIRECTOR daily“NERO WOLFE”TV Movie; CAST Maury Chaykin, Tim Hutton; DIRECTOR Bill Duke; PRODUCTION MANAGER Deborah Osborne; 1ST ASSISTANT DIRECTOR Bill Spahic; 2ND ASSISTANT DIRECTOR Tim Singh; TORONTO 1999.

SET PRODUCTION ASSISTANT daily“LETHAL VOWS”TV Movie; CAST John Ritter, Marg Helgenberger; DIRECTOR Paul Schneider; PRODUCTION MANAGER Lynn Mallay; 1ST ASSISTANT DIRECTOR John Board; 2ND ASSISTANT DIRECTOR Sarah Campbell; TORONTO 1999.

SET PRODUCTION ASSISTANT daily“TRADERS”TV Series; CAST Patrick McKenna; DIRECTOR TW Peacocke; PRODUCTION MANAGER Maribeth Daley; 1ST ASSISTANT DIRECTOR Marek Posival; 2ND ASSISTANT DIRECTOR Belinda Brown; 3RD ASSISTANT DIRECTOR Sarah Jarvis; TORONTO 1999.

SET PRODUCTION ASSISTANT daily“IN TOO DEEP”Feature Film; 1ST ASSISTANT DIRECTOR  Bill Spahic; 2ND ASSISTANT DIRECTOR Steward Young; 3RD ASSISTANT DIRECTOR Jonnie Katz; TORONTO 1998.

MANAGER of ORION BOOKS; OWNER Richard Tschudi; Toronto 1994 – 1997

3RD ASSISTANT DIRECTOR “GETTING GOTTI”Feature Film for TV; CAST Lorraine Bracco, Anthony Denison, Ellen Burstyn; PRODUCER  John Eckert; DIRECTOR Roger Young; 1ST ASSISTANT DIRECTOR Tony Thatcher; 2ND ASSISTANT DIRECTOR Ron Oxley; TORONTO 1994.

3RD ASSISTANT DIRECTOR “DEATH WISH V”Feature Film; CAST Charles Bronson, Lesley Ann Down, Michael Parks; PRODUCER Damian Lee; DIRECTOR Allan Goldstein; 1ST ASSISTANT DIRECTOR John Bradshaw; 2ND ASSISTANT DIRECTOR Marek Posival; TORONTO 1993.

3RD ASSISTANT DIRECTOR daily / SET PRODUCTION ASSISTANT daily“COUNTERSTRIKE” 1 hour TV series; PRODUCTION MANAGER Tony Thatcher; 1ST ASSISTANT DIRECTOR  John Rainey & Heil Huhta; 2ND ASSISTANT DIRECTOR  Ron Oxley; TORONTO 1992.

JUDGE for the CANADIAN INTERNATIONAL ANNUAL FILM FESTIVAL; TORONTO 1992.

STORY EDITOR “BOYS WILL BE … “Feature Film (development); PRODUCER / WRITER Michael Glassbourg; TORONTO 1992.

STORY EDITOR “ANIMAN”Feature Film (development); PRODUCER / WRITER  Robert Bouvier;  TORONTO 1991.

PRODUCER / STORY EDITOR SHAMAN’S SOURCEaction adventure Feature Film; CAST Billy Merasty (“Donald Marshall Story”) and Eric Schweig (“Last of the Mohicans”); STORY LINE: Three modern day North American Indians compete with ruthless White Developers to be the first TO lay claim on a priceless ancient spring with mystical healing powers; DIRECTOR OF PHOTOGRAPHY Barry Stone; PRODUCER / DIRECTOR Robert Bouvier; DISTRIBUTER Transcontinental Pictures Industries; Toronto 1990. SEE Trailer

 

PRODUCER / PRODUCTION MANAGER “PIZZA PIZZA”Thirty second commercials for TV; PRODUCER / DIRECTOR Robert Bouvier; TORONTO 1989.

DIRECTOR / VIDEO EDITOR “BOYS WILL BE … ” Thirty minute Video drama for Educational Institutions; WRITER / PRODUCER Michael Glassbourg; TORONTO 1989. SEE Trailer 8iy3m7fcLHU

WRITER / PRODUCER “13” (CITY IN PANIC) Suspense Thriller Feature Film; STORY LINE: A psychopathic serial killer stalks the streets, leaving a trail of horribly mutilated bodies; PRODUCER / DIRECTOR Robert Bouvier; EXECUTIVE PRODUCER; Peter Wilson; DISTRIBUTOR Transcontinental Pictures Industries (available on video); TORONTO 1986.

SCRIPTWRITER “MASS MEDIA STAR”1 Hour Rock Video Feature (development); PRODUCER Robert Bouvier; TORONTO 1985.

1ST ASSISTANT DIRECTOR “TOBACCO MAN” Ninety second Theatrical Commercial  for ROTHMANS ENGLAND; TORONTO 1985.

PRODUCTION MANAGER / 1ST ASSISTANT DIRECTOR “I’M IMPRESSED”Rock Video for the band SYLUM; DIRECTOR Robert Bouvier; TORONTO 1985.

SCRIPTWRITER “HOLLYWOOD GIRLS” Rock Video; funded by the CANADIAN BROADCASTING COMPANY; TORONTO 1985.

STORY EDITOR / PRODUCTION MANAGER / 1ST ASSISTANT DIRECTOR “GO FOR SODA”Rock Video for KIM MITCHELL nominated for Juno “BEST VIDEO”; DIRECTOR Robert Bouvier; TORONTO 1984. SEE http://youtu.be/MXnTbmPxv5g 

CO-SCRIPT CONSULTANT “MR NICE GUY”Feature Film; PRODUCER Tino Mangatta; DIRECTOR Henery Wolfond; CO-SCRIPT CONSULTANT Michael Glassbourg; TORONTO 1984.

1ST ASSISTANT DIRECTOR “THAT’S A MAN”35mm Rock Video for KIM MITCHELL; PRODUCER Tom Barry;  DIRECTOR Robert Bouvier; TORONTO 1984.

DIRECTOR’S ASSISTANT “THE HOUSE OF DIES DREAR”Two Hour P.B.S Movie; CAST Howard Rollins and Shavar Ross; EXECUTIVE PRODUCER C. Schultz; DIRECTOR Allan Goldstein; 1ST ASSISTANT DIRECTOR Don McCutcheon; TORONTO 1984.

1ST ASSISTANT DIRECTOR “PLATINUM BLONDE LIVE”One Hour T.V. Music Video at Toronto City Hall with PLATINUM BLONDE; PRODUCER Anthony Tsavdaris; DIRECTOR Robert Bouvier; TORONTO 1984.

VIDEO EDITOR for STEREOVISION; One Hour T.V. Rock Video Series; PRODUCER / DIRECTOR Robert Bouvier; TORONTO 1984.

PRODUCTION ASSISTANT daily“DAVIS AND HEARST” PRODUCTION MANAGER Barbara Kelly; 1ST ASSISTANT DIRECTOR Scott Maitland; TORONTO 1984.

PRODUCTION ASSISTANT daily“BEER” PRODUCTION MANAGER Joyce Kozy King; 1ST ASSISTANT DIRECTOR Martin Walters; LOCATION MANAGER Keith Large; TORONTO 1984.

3RD ASSISTANT DIRECTOR on re-shoots“DEAD ZONE”; Feature Film;  CAST Christopher Walkin, Martin Sheen; PRODUCER Dino de Laurentis and Debra Hill; DIRECTOR David Cronenberg; PRODUCTION MANAGER John Eckert; 1ST ASSISTANT DIRECTOR John Board; TORONTO 1983.

‘EDITOR OBSERVER’ “DEAD ZONE”; David Cronenberg was kind enough to let me observe the editing of the film for a couple of weeks so I could learn more about feature film editing; see above for more details; TORONTO 1983.

PRODUCTION ASSISTANT “DEAD ZONE”; see above; TORONTO 1983.

***ASSISTANT DIRECTOR on SPECIAL EFFECTS re-shoots“STRANGE INVADERS”; DIRECTOR Michael Laughlin; PRODUCER Walter Coblenz; PRODUCTION MANAGER Marilyn Stonehouse; 1ST ASSISTANT DIRECTOR David Sheperd; 2ND ASSISTANT DIRECTOR David Macleod; TORONTO 1982.

PRODUCTION ASSISTANT “STRANGE INVADERS”; see above; TORONTO 1982.

SET PRODUCTION ASSISTANT “IN DEFENCE OF KIDS”; CBS Movie of the Week; CAST Blythe Danner; PRODUCER M.T.M.; PRODUCTION MANAGER Tony Thatcher; 1ST ASSISTANT DIRECTOR Katy Emde; 2ND ASSISTANT DIRECTOR Don McCutcheon; TORONTO 1982.

3RD ASSISTANT DIRECTOR re-shoots “CURTAINS”Feature Film; PRODUCER AND DIRECTOR Peter Simpson; 2ND ASSISTANT DIRECTOR Don Baldassara; TORONTO 1982.

1ST ASSISTANT DIRECTOR “JEN’S PLACE”One Hour CANADIAN BROADCASTING CORPORATION Drama; PRODUCERS and DIRECTORS Glen Salzman and Rebecca Yates; TORONTO 1982.

SET PRODUCTION ASSISTANT “CLASS OF 1984″Feature Film; PRODUCTION MANAGER Marilyn Stonehouse; 1ST ASSISTANT DIRECTOR Tony Lucibello; PRODUCTION CO-ORDINATOR Angela Heald; 2ND ASSISTANT DIRECTOR / 3RD ASSISTANT DIRECTOR Lee Kippleberg; TORONTO 1981.

LOCATION PRODUCTION ASSISTANT daily“DEATH BITE” LOCATION MANAGER Keith Large; TORONTO 1981.

PRODUCTION ASSISTANT “CURTAINS”Feature Film; PRODUCER Peter Simpson; ASSOCIATE PRODUCER Gerry Arbeid; DIRECTOR Richard Ciupka; 1ST ASSISTANT DIRECTOR Tony Thatcher; TORONTO 1980.

ASSISTANT TO PRODUCTION MANAGER “MELANIE”Feature Film; PRODUCER Peter Simpson; DIRECTOR Rex Bromfield; ASSOCIATE PRODUCER Gerry Arbeid; 1ST ASSISTANT DIRECTOR Don Buchsbaum; TORONTO 1980.

3RD ASSISTANT DIRECTOR prep“DO YOU KNOW WHERE YOUR PARENTS ARE?”Feature Film; PRODUCTION MANAGER Hugh Harlow; 1ST ASSISTANT DIRECTOR Barry Bergthorson; TORONTO 1980.

***PRODUCTION MANAGER / 1ST ASSISTANT DIRECTOR 5 day re-shoots“KIDNAPPING OF THE PRESIDENT”; see below for more details.

ASSISTANT TO THE DIRECTOR “KIDNAPPING OF THE PRESIDENT”Feature Film; CAST William Shatner; DIRECTOR George Mendeluk; PRODUCTION MANAGER Gerry Arbeid; 1ST ASSISTANT DIRECTOR Tony Thatcher; TORONTO 1979.

PRODUCTION ASSISTANT daily“TRIBUTE”Feature Film; PRODUCTION MANAGER Gerry Arbeid; TORONTO 1979.

PRODUCTION ASSISTANT daily“HAPPY BIRTHDAY, GEMINI”Feature Film; 2ND ASSISTANT DIRECTOR Libby Bowden; TORONTO 1979.

GUEST LECTURER at ONTARIO COLLEGE OF ART; Screening of my Experimental Video Work; TORONTO 1978.

VIDEO TAPE EDITOR “CITY PULSE”Evening News for CITY TV; DIRECTOR Jane Farly; TORONTO 1978.

FREELANCE VIDEO camera alignment N.A.B.E.T.; N.A.B.E.T. OFFICER Jim Bach; TORONTO 1978.

SENIOR LIGHTING / VIDEO DIRECTOR for CITY TV; Lighting Design for “CITY LIGHTS”, “CITY PULSE”, “BOOGIE”, etc.; Camera Alignment for EMI 2005 Video Camera; Hiring and Training of other Lighting / Video Directors; TECHNICAL DIRECTOR Phil Dinan; TORONTO 1976 – 1978.

VIDEO TAPE OPERATOR for CITY TV; Recording, Playback and Editing of Half-inch, One-inch and Two inch Video Tape Recorders; fill-in for Master Control; OPERATIONS MANAGER Jim Norwood; TORONTO 1975.

ASSISTANT INSTRUCTOR “TELEVISION AND V.T.R. PRODUCTION”; FINE ARTS DEPARTMENT at theUNIVERSITY OF TORONTO; Instruction and Operation of Production Hardware; TORONTO 1974.

TECHNICAL DIRECTOR “ROCHDALE COLLEGE”;Three Hour VideoDocumentary on the closing days of Rochdale College; TECHNICAL ADVISOR Jim Bach; FINANCIAL ASSISTANCE from UNIVERSITY OF TORONTO and ARTS COUNCIL; TORONTO 1973.

TEACHING ASSISTANT in “FINE ARTS DEPARTMENTat the UNIVERSITY OF TORONTO; Ordering and Control of Studio Supplies; Instruction and Operation of Audio-Visual Hardware; TORONTO 1973.

PUPPET ARTIST for LEDO PRODUCTIONS; Mainly performing in schools but also Scripting, Set Building and Set Up; TORONTO 1972.

FURNITURE REFINISHER for my Step Father, Neil Blackwell; Mainly stripping, sanding & refinishing Used, & Antique Furniture; Toronto 1966-68

EDUCATION:

FINAL CUT PRO STUDIO 6 (Week long course for certification) at HUMBER COLLEGE; INSTRUCTOR Maureen Nolan; Toronto 2009

PROPANE CERTIFICATION for heaters by BRYDON INDUSTRIAL TRAINING, Toronto 2009

*** CERTIFIED LIFE SKILL COACH *** from GEORGE BROWN COLLEGE, Toronto 2006

PSYCHOLOGY at RYERSON, Toronto 2000

ASSISTANT DIRECTOR COURSE fromDIRECTORS GUILD OF CANADA; INSTRUCTOR Al Simmons; TORONTO 1980.

SOCIAL RESEARCH TECHNIQUES atSENECA COLLEGE; TORONTO 1971- 73.

ARTS AND SCIENCE atNEWMARKET DISTRICT HIGH SCHOOL; Newmarket, ONTARIO 1967-69.

STOUFFVILLE HIGH SCHOOL; Stouffville, ONTARIO 1966.

HOBBIES:

Dancing, Computers, and Chess.

Excerpts from: http://www.imzaia.com/forum/topics/dna-can-be-influenced-and

[[ANNOTATION]], Pictures, Video & COLOR ADDED

DNA CAN BE INFLUENCED AND REPROGRAMMED BY WORDS AND FREQUENCIES

Discussions by Grazyna Fosar and Franz Bludorf

… latest Russian scientific research directly or indirectly explains phenomena such as clairvoyance, intuition, spontaneous and remote acts of healing, self healing, affirmation techniques, unusual light/auras around people (namely spiritual masters), mind’s influence on weather patterns and much more. In addition, there is evidence for a whole new type of medicine in which DNA can be influenced and reprogrammed by words and frequencies WITHOUT cutting out and replacing single genes.

… our DNA is not only responsible for the construction of our body but also serves as data storage and in communication. The Russian linguists found that the genetic code, especially in the apparently useless 90%, follows the same rules as all our human languages. To this end they compared the rules of syntax (the way in which words are put together to form phrases and sentences), semantics (the study of meaning in language forms) and the basic rules of grammar.

They found that the alkalines of our DNA follow a regular grammar and do have set rules just like our languages.

So human languages did not appear coincidentally but are a reflection of our inherent DNA.

The Russian biophysicist and molecular biologist Pjotr Garjajev and his colleagues also explored the vibrational behavior of the DNA. … The bottom line was: “Living chromosomes function just like solitonic/holographic computers using the endogenous DNA laser radiation.” This means that they managed for example to modulate certain frequency patterns onto a laser ray and with it influenced the DNA frequency and thus the genetic information itself. Since the basic structure of DNA-alkaline pairs and of language (as explained earlier) are of the same structure, no DNA decoding is necessary.

One can simply use words and sentences of the human language! This, too, was experimentally proven! Living DNA substance (in living tissue, not in vitro) will always react to language-modulated laser rays and even to radio waves, if the proper frequencies are being used.

This finally and scientifically explains why affirmations, autogenous training, hypnosis and the like can have such strong effects on humans and their bodies. It is entirely normal and natural for our DNA to react to language. While western researchers cut single genes from the DNA strands and insert them elsewhere, the Russians enthusiastically worked on devices that can influence the cellular metabolism through suitable modulated radio and light frequencies and thus repair genetic defects.

Garjajev’s research group succeeded in proving that with this method chromosomes damaged by x-rays for example can be repaired. They even captured information patterns of a particular DNA and transmitted it onto another, thus reprogramming cells to another genome. 
So they successfully transformed, for example, frog embryos to salamander embryos simply by transmitting the DNA information patterns! This way the entire information was transmitted without any of the side effects or disharmonies encountered when cutting out and re-introducing single genes from the DNA. This represents an unbelievable, world-transforming revolution and sensation! All this by simply applying vibration and language instead of the archaic cutting-out procedure! This experiment points to the immense power of wave genetics, which obviously has a greater influence on the formation of organisms than the biochemical processes of alkaline sequences.

Esoteric and spiritual teachers have known for ages that our body is programmable by language, words and thought. This has now been scientifically proven and explained. Of course the frequency has to be correct. And this is why not everybody is equally successful or can do it with always the same strength. The individual person must work on the inner processes and maturity in order to establish a conscious communication with the DNA. [[Ancestral Blood?]] The Russian researchers work on a method that is not dependent on these factors but will ALWAYS work, provided one uses the correct frequency.

But the higher developed an individual’s consciousness is, the less need is there for any type of device! [[ Higher Level of Meditation?]] … The Russian scientists also found out that our DNA can cause disturbing patterns in the vacuum, thus producing magnetized wormholes! Wormholes are the microscopic equivalents of the so-called Einstein-Rosen bridges in the vicinity of black holes (left by burned-out stars).
 These are tunnel connections between entirely different areas in the universe through which information can be transmitted outside of space and time. The DNA attracts these bits of information and passes them on to our consciousness. This process of hypercommunication is most effective in a state of relaxation. Stress, worries or a hyperactive intellect prevent successful hypercommunication or the information will be totally distorted and useless.

In nature, hypercommunication has been successfully applied for millions of years. The organized flow of life in insect states proves this dramatically. Modern man knows it only on a much more subtle level as “intuition.” But we, too, can regain full use of it. An example from Nature: When a queen ant is spatially separated from her colony, building still continues fervently and according to plan. If the queen is killed, however, all work in the colony stops. No ant knows what to do. Apparently the queen sends the “building plans” also from far away via the group consciousness of her subjects. She can be as far away as she wants, as long as she is alive. In man hypercommunication is most often encountered when one suddenly gains access to information that is outside one’s knowledge base. Such hypercommunication is then experienced as inspiration or intuition. The Italian composer Giuseppe Tartini for instance dreamt one night that a devil sat at his bedside playing the violin. The next morning Tartini was able to note down the piece exactly from memory, he called it the Devil’s Trill Sonata.

When hypercommunication occurs, one can observe in the DNA as well as in the human being special phenomena. The Russian scientists irradiated DNA samples with laser light. On screen a typical wave pattern was formed. When they removed the DNA sample, the wave pattern did not disappear, it remained. Many control experiments showed that the pattern still came from the removed sample, whose energy field apparently remained by itself. This effect is now called phantom DNA effect. [[ Is this connected to Kirlian Photography?]] It is surmised that energy from outside of space and time still flows through the activated wormholes after the DNA was removed. The side effect encountered most often in hypercommunication also in human beings are inexplicable electromagnetic fields in the vicinity of the persons concerned. Electronic devices like CD players and the like can be irritated and cease to function for hours. When the electromagnetic field slowly dissipates, the devices function normally again. …

In their book “Vernetzte Intelligenz” (Networked Intelligence), Grazyna Gosar and Franz Bludorf explain these connections precisely and clearly. 
The authors also quote sources presuming that in earlier times humanity had been, just like the animals, very strongly connected to the group consciousness and acted as a group. To develop and experience individuality we humans however had to forget hypercommunication almost completely. Now that we are fairly stable in our individual consciousness, we can create a new form of group consciousness, namely one, in which we attain access to all information via our DNA without being forced or remotely controlled about what to do with that information. We now know that just as on the internet our DNA can feed its proper data into the network, can call up data from the network and can establish contact with other participants in the network. Remote healing, telepathy or “remote sensing” about the state of relatives etc. can thus be explained. Some animals know also from afar when their owners plan to return home. That can be freshly interpreted and explained via the concepts of group consciousness and hypercommunication. Any collective consciousness cannot be sensibly used over any period of time without a distinctive individuality. Otherwise we would revert to a primitive herd instinct that is easily manipulated.

Hypercommunication in the new millennium means something quite different: Researchers think that if humans with full individuality would regain group consciousness, they would have a god-like power to create, alter and shape things on Earth! AND humanity is collectively moving toward such a group consciousness of the new kind. Fifty percent of today’s children will be problem children as soon as the go to school. The system lumps everyone together and demands adjustment. But the individuality of today’s children is so strong that that they refuse this adjustment and giving up their idiosyncrasies in the most diverse ways.

At the same time more and more clairvoyant children are born [see the book “China’s Indigo Children” by Paul Dong or the chapter about Indigos in my book “Nutze die taeglichen Wunder” (Make Use of the Daily Wonders)]. Something in those children is striving more and more towards the group consciousness of the new kind, and it will no longer be suppressed. As a rule, weather for example is rather difficult to influence by a single individual. But it may be influenced by a group consciousness (nothing new to some tribes doing it in their rain dances). Weather is strongly influenced by Earth resonance frequencies, the so-called Schumann frequencies. But those same frequencies are also produced in our brains, and when many people synchronize their thinking or individuals (spiritual masters, for instance) focus their thoughts in a laser-like fashion, then it is scientifically speaking not at all surprising if they can thus influence weather.

Researchers in group consciousness have formulated the theory of Type I civilizations. A humanity that developed a group consciousness of the new kind would have neither environmental problems nor scarcity of energy. For if it were to use its mental power as a unified civilization, it would have control of the energies of its home planet as a natural consequence. And that includes all natural catastrophes!!! A theoretical Type II civilization would even be able to control all energies of their home galaxy. In my book “Nutze die taeglichen Wunder,” I have described an example of this: Whenever a great many people focus their attention or consciousness on something similar like Christmas time, football world championship or the funeral of Lady Diana in England then certain random number generators in computers start to deliver ordered numbers instead of the random ones. An ordered group consciousness creates order in its whole surroundings!

Earlier generations that got in contact with such hypercommunication experiences and visible vacuum domains were convinced that an angel had appeared before them. And we cannot be too sure to what forms of consciousness we can get access when using hypercommunication. Not having scientific proof for their actual existence (people having had such experiences do NOT all suffer from hallucinations) does not mean that there is no metaphysical background to it. We have simply made another giant step towards understanding our reality.

All information is taken from the book “Vernetzte Intelligenz” von Grazyna Fosar und Franz Bludorf, ISBN 3930243237, summarized and commented by Baerbel. The book is unfortunately only available in German so far. You can reach the authors here: www.fosar-bludorf.com

[2]; Transmitted by Vitae Bergman
[ www.ryze.com/view.php?who=vitaeb ]
[3]
References: 1. http://noosphere.princeton.edu/fristwall2.html
2. http://www.fosar-bludorf.com
3. http://www.ryze.com/view.php?who=vitaeb

To understand d Power of Blessings & Words see also:

BIRTH DAY BLESSING

http://www.tiwaz.com/blog_xoting/rr07-xebo/rr07_blessings/birth-day-blessing/

“With Parties we have the Power to vote”,
Dir Stupefied actually believe,
But they are only Cheerleaders for Teams,
That Big Brother deceives.
–Tiwaz 201109051334 rr03aah

Unlike dum Bee that collects,
Honey for Hive,
No-THING-ness you must Be,
ToBe Wise.
–Tiwaz 201008282144 rr18uoo

Tiwaz.com – Xoting is Gothic Mysticism

see ENGLISH VERSION

Rasputin: The Mad Monk!

 

Ageists prefer to be foolish,
Than look like an old Fool.
Wizards prefer to be truthful,
Becoming no One’s Fool.
— Tiwaz 201108311301 rr13aææ

RUNE READING (rr) NOTES

DAY TIDE: In General, when rr13 Æhwaz is waning from High Noon to High Night, as is happening at dum Time dus this Writing, Æhwaz is strengthened brightly end we are able to glean, for Example, der Wizardry more easily from Elders, Holy Steads, Yew Trees etc., we meet physically.

MOON TIDE: In General, when dur Moon is waxing towards dum Full Moon, as is happening at this Writing, we should interpret this Stave murkily and be weary das Emotional-Intellectual Xoting, but because dur Moon is still in dum rr13 Stead, which is also dum Full Moon Stead, we have to interpret it as being in Harmony with rr13. Thæs Means dur Moon is in Harmony with Æhwaz natural Xoting. Better Know as “The Rite of Odin hanging on the Tree of Yggdrasil“, this Æhwaz Xoting helps us to release ourselves from dam Emotional-Intellectual Addiction, by giving “myself to myself ” & becoming dom Silence ToBe.

SUN TIDE: In General, when rr13 is waning towards dom Holy of Holiest dom Yule Tide, iner Matrix dis Deceptions fall away, end as for Example at dum Time dus Writing, gleaning der Wizardry from Elders is also strengthened.

ANECDOTAL:
We are always struggling in this Techno Dark Age to think clearly. Big Brothers & now Big Sisters are continuously carpet Bombing are subconscious to conform to their Brave New World Agenda. We are behaviorally Modified on an Emotional Level to not want to look Foolish as defined by our Big Brothers & Big Sisters. We do not want to be anem Outsider in our Peer Group. This can mean death to dam Weak so they conform.

Wizards are Leaders who have lived 2,3,4 life Times. A life Time is 20 Years. Big Brothers do not like “Old People” because they have EXPERIENTIAL KNOWLEDGE that will contradict their Propaganda so Old People must be assassinated, either Mentally or Physically but definitely assassinated in dam Eyes das Young. This is why we have Modern AGEISM.

Tiwaz.com – Xoting is Gothic Mysticism

 

Big Brother creates righteous Victims,
To be stupefied Messianic Tools,
So they can be Fishermen of Men,
To shepherd a World of lost Fools.

— Tiwaz 201108310938
rr22auh

Tiwaz Stud

TIWAZ STUD

Rune Reading (rr) Notes: When Ingwaz (rr22hhh) is Augmented badly we can get don False Messiah. Right now duur Day (201108310938 ) is moving towards High Noon which means thut Physically we are susceptible to false Messiahs. Later ToDay after High Noon we will be less influenced by false Spiritual Leaders we meet. Also, ToDay dur Moon is waxing towards unem Full Moon which would mean that we have to be careful on anem Emotional-Intellectual Level for False Messianic Emotions & Texts.

Tide to feed spiritual “We”s

The Night Shift - SOLD  (2009) by Lori Dunn

The Night Shift – SOLD (2009) by Lori Dunn – Nectar feeding bats in the desert are primary pollinators of giant cacti such as the saguaro and organ pipe cactus which are becoming rare.

 

We can feed Egotistic Weeds,
Strangling our Powers,
We can feed Spiritual “We’s”,
Liberating our Flowers.
— Tiwaz 20110821-1040 rr01ææe

rr (Rune Reading) 01 (Fehu). Note: “æ” in rr01ææe denote dæn Reflective Consciousness. Today’s ZeitGeist feeds our Reflective Consciousness with negative Thoughts. Our Squirrely Mind (æi) is activated & we find our selves Tranced Out chattering within, for Example, with our unapproving Parents. What we need to do through dæn Xoting is build up our Spiritual Muscles, to be able to concentrate (Dharana) & actualize our Positive Life Forces (rr01-Fehu), our “Flowers”. Der ability to focus on our Flowers pollinates them producing Fruit.

Dor Xoting is not Spiritual Engineering but Gardening. Watering Flowers not Weeds. Archetypes are Signs & Stages dos inherited Spiritual Seed sprouting, dos Organic Spiritual Growth to Cosmic Consciousness, Enlightenment, GodHead or from om Xoting POV – SILENCE-TO-BE.

An ongoing Argument that I have with myself is: Should onen Mystic be Political or should they completely stay out of Politics? My feeling is that they should completely stay out of Politics but this seems impossible in a Oppressive Society.

Dor very Nature dos dom Mystic is to liberate dom Soul. Uner Oppressive Society does not want dom Soul liberated but oppressed.